
By Robert Cohn
When Helga Melmed’s number was called at Auschwitz, the trembling 16-year-old was stripped, her head shaved, and her dignity taken in front of Nazi guards at the infamous death camp.
“The humiliation was mortifying,” said Melmed, now 98, who recently held a packed audience in Sierra Vista spellbound with her testimony of survival. “You never knew when they would march you to the gas chambers. There was nothing you could do.”
Melmed had been transported in cattle cars from the Lodz Ghetto, where her father was shot by German soldiers during target practice. Her mother died soon after — on Melmed’s 14th birthday. By the time she arrived at Auschwitz late in the war, the guards were “too busy” to tattoo her arm.
She vividly recalls the smoke, the stench, and children clinging to one another as they were marched to their deaths. She and three girls she befriended prayed and sang as they entered the showers, certain they would be gassed. Water came out instead.
Transferred later to Bergen-Belsen, Melmed witnessed little mercy, though one guard once tossed her a coat and a mysterious figure occasionally left soup at night. By war’s end, starvation and typhus had killed more than 50,000 prisoners there, including Anne Frank.
When Allied forces liberated the camp in 1945, Melmed weighed just 46 pounds and was near death. She survived, rebuilt her life in Sweden and America, became a nurse, raised a family, and has spent decades sharing her story.
“Hate and propaganda destroy,” she said. “We must never forget — and we must learn to live together.”
In Southeast Arizona, where wide skies and long roads still have something to say, Sean Yeterian has learned how to listen. Based in Sierra Vista and known publicly as the Arizonan Yeti, Yeterian is a photographer and writer whose work favors patience over spectacle and presence over performance.
A retired U.S. Army Sergeant Major with 28 years of service, Yeterian turned seriously to photography as military life receded. What began as a creative outlet became a way to slow time—to replace urgency with observation. That instinct now defines his work. Landscapes, storm skies, empty highways, weathered structures, and the quiet spaces between destinations form the backbone of his imagery. He is especially drawn to moments of transition: dawn breaking, fog lifting, storms rolling through Cochise County.
Roads appear often in his photographs, not as destinations but as symbols—of choice, movement, and reflection. Most of his work is rooted in the American Southwest, though his visual storytelling has traveled far beyond it. His images have been exhibited internationally, from Amsterdam and Barcelona to Melbourne, Seoul, and Athens, and are regularly sought for workshops and creative conferences centered on place and narrative.
Yeterian’s approach is deliberately unforced. He shoots intuitively, pulling over when something feels right rather than chasing a checklist. Post-processing is minimal; the aim is to honor what was present, not invent what wasn’t. Photography, for him, is an act of attention, not conquest.
That philosophy extends to his writing. Images are often paired with short reflections—open-ended, emotionally grounded, and free of instruction. Meaning is suggested, not assigned. As an active member and docent at both the Huachuca Art Gallery in Sierra Vista and the Tombstone Art Gallery, he remains closely tied to the region’s creative community.
In an age of endless noise and instant consumption, Sean Yeterian’s work offers something quietly radical: permission to slow down. His photographs don’t escape the present moment—they steady it. And in doing so, they remind us that the most beautiful place in the world may be exactly where we are.

By R.J. Cohn
One of the few in-home care providers in southern Arizona utilizing more than 100 professional caregivers to assist the elderly, Senior Helpers is more than just a one-stop agency for compassionate care serving home-bound seniors needing assistance.
Its holistic approach and proven track record addressing all aspects of a client’s well-being while focusing on maintaining independence and dignity not only stands out among the rest.
It’s the only age-friendly home-care agency in Cochise County that’s Community Health Accreditation Partner (CHAP) certified, the gold standard for healthcare providers meeting industry standards in delivering high-quality care to clients.

“Our whole job is to help people thrive in their homes instead of having to go to a facility,” says Senior Helpers branch manager Lisa Metcalf. “Whether it’s simple companionship, bed-bound or personal care for Alzheimer’s, dementia and Parkinson’s care, our job is to make the elderly as comfortable as we can in their homes. We’re that peace of mind that knows how to deliver comfort for those who need in-home personal care. We help so many people in our region that it warms my heart.”
Before taking on a client, Senior Helpers, performs a thorough at home Full Assessment using Life Profile, a data-driven assessment tool used to view the risks and factors that influence a loved one’s ability to age in their own home. “We talk about what resources we can best utilize to help them,” said Metcalf. “We’re here to advocate for the elderly and make them feel as safe and taken care of as we can.”
Serving the elderly throughout 15 counties in Arizona, Senior Helpers is committed to providing the best overall care to its clients. Metcalf says most of its care providers are certified nursing assistants (CNAs) and home health care aides. It also contracts with the Veterans Administration,

since home health aide services and respite care are part of the VHA standard medical benefits package. About 70% of Senior Helpers’ clients are veterans. Community liaison Karina Reed is constantly working with representatives at the Warrior Healing Center, Disabled Veterans and the American Legion.
“The biggest problem we run into in Arizona is that insurance, including Medicare, doesn’t pay for personal home care,” said Metcalf. “Instead, it pays for medical home health care. Unfortunately, we’re the non-medical side of home healthcare.”
Despite not qualifying for insurance, Senior Helpers is affordable at $36 per hour with a 3-hour shift minimum.
“When we take a client to a doctor’s office, we just don’t drop them off at the door,” said Metcalf. “Our caregivers go in with them and take detailed notes. We are 100% there for them and their family because that’s what our mission is all about.”
For more information, call 520-685-8083 or visit the website below.

Bisbee artist Janice Sanders, part of the 10-member co-op Subway Gallery in the Brewery Gulch, will be exhibiting her fourth solo show for one month beginning Feb. 14, showcasing original landscapes throughout the U.S.
A highly-skilled artist who paints primarily in oil and watercolors, Sanders has traveled extensively across America, especially the Southwest, which she said has inspired her painting of stunning landscapes that share the light, colors and shapes of “our amazing world.”
She also explores pastel chalks as another art medium.
“Painting is a totally immersive activity for me,” she said. “While at times frustrating, moments or hours spent working in my studio are rejuvenating, sometimes challenging, sometimes disappointing, that time is a gift to me that I treasure.”
Hooked with painting ever since she “painted” her mother’s dresser with red nail polish when she was 3 years old, Sanders studied art in college in California and Arizona, focusing on oil and watercolor painting. Throughout her 25 years as a classroom teacher, she always utilized art activities that enriched curriculum.
“The opening of my Subway Gallery show in 2022 was one of the most exciting events of my life,” she said. “This community’s environment, the encouragement of friends and family is so welcoming and nurturing for me that at last, I can believe and say that I am an artist.”
To view more of Jance's art, stop by the Subway Gallery in the Brewery Gulch of Bisbee, or visit SSVEC Currents digital Art Gallery, Creative & Current, right here at Currents online!
To visit more of Janice Sanders' work, and other local artists, visit
The Subway Gallery
43 Brewery Ave
Bisbee, AZ
By Shar Porier
Patricia Messner, Language Arts teacher at Pearce Elementary School, was stunned to learn she’d been nominated for Arizona Rural Teacher of the Year. “I thought it was a joke,” she said. After submitting essays on her teaching philosophy, Messner became one of eight statewide Teachers of Distinction and attended the awards banquet in Phoenix. “Just having that label was amazing,” she recalled.
To her surprise, Messner won the top honor. The Arizona Rural Schools Association praised her rapport with students and ability to create a classroom where they grow as communicators, writers, and leaders. Cochise County School Superintendent Jacquie Clay added that Messner tutors after school, checks on students even when ill, and fosters critical thinking.
Messner’s approach blends creativity and empowerment. “When your vocabulary base is larger, your writing is richer,” she said. She incorporates outdoor learning, taking students to Whitewater Draw Wildlife Area to observe sandhill cranes and write poetry inspired by nature. She’s seeking a grant for binoculars to enhance these experiences.
Art also plays a role in her lessons—students craft projects from recycled materials, such as bird nests and cranes, to deepen their connection to the world. “It expands their creativity,” Messner said.
Her ultimate goal: helping students find their voices. “If you can think it, you can write it; if you can write it, you can speak it.” Winning the award, she insists, is a shared achievement. “It’s our award—this school, these students, and this town—they’re my heart.”

Pearce Elementary School teacher Patricia Messner with the 2025 Rural Teacher of the Year Award
By R.J. Cohn
On the second Tuesday of each month, Sierra Vista’s Onyx Grounds transforms into a vibrant showcase of local talent. What began in 2017 as a modest gathering at Broxton’s Coffee has evolved into a cornerstone of the city’s arts scene, offering musicians, poets, and storytellers a welcoming stage.
Founded by Beth Colburn Orozco, a creative writing instructor at Cochise College, Open Mic Night was designed as a regular outlet for artistic expression. “I wanted to do something to get people who played music and wrote stories and poetry together for a venue that was a regular creative outlet,” she recalls. Today, the event draws anywhere from 15 to 45 participants, creating an intimate yet dynamic atmosphere for performers and audiences alike.
The pandemic briefly pushed the event online, but its return to an in-person format at Urbano Bar & Bistro’s event center has only strengthened its sense of community. From gut-wrenching memoirs to haunting poetry, each performance is met with applause that empowers artists to keep sharing.
Open Mic Night has become more than entertainment—it’s a safe space for creativity, courage, and connection. As Colburn Orozco puts it, “Every single person has to take that leap of faith.”
“Stories and music are the lifeblood of human connection and often the lifeline in creating community.” — Beth Colburn Orozco
Onyx Grounds at Urbano Bar & Bistro
State Route 92, Sierra Vista
Second Tuesday of every month

By R.J. Cohn
What began as weekend camp for girls 10 years ago in the parking lot of a beauty salon has not only rocketed into one of the most empowering, year-round girls camps in Arizona, drawing hundreds of youngsters from around the country.
Bankrolled with corporate grants from foundations like the National Basketball Association, the little camp that started on a whim is on the cusp of building a $70 million, 100-room hotel on soon-to-be purchased 170 acres near the Bisbee Municipal Airport that would help finance the Black Women in Progress (BWIP) Confidence Camps for girls regardless of race.
And if all the chips fall into place the way they have been since camp director/ grant writer Acacia Barnett has thrown her heart and soul into starting the camp in 2016, Hotel Seville – named after her great-grandfather – will be up and running in 2030 with groundbreaking starting in 2028.
“This is a major undertaking, and we’re working with architects, hospitality experts and applying for million dollar grants,” said Barnett. “This is going to be a tremendous project.”
Not only would the hotel – which resembles a Franklin Lloyd Wright building, though Barnett calls it an “Arizona-Spanish revival-modern look” – become a summer confidence camp for hundreds of girls from 7-18.
Seville Hotel, complete with an enormous convention center, a STEM lab for the girls camp and other rooms, would have a tremendous economic impact for Bisbee, which for decades has been clamouring for a hotel that could stage sizable conventions.
“Never in my wildest dreams when I started a camp in my parking lot on Highway 92 did I imagine it would evolve into something that might turn into a 100-room hotel on 170 acres,” said the 35-year-old Sierra Vista native and Buena High graduate. “We’re excited about the future and how we’re going to get there. Who would have thought this is where a girls confidence camp would go?”
Probably only one person – Acacia Barnett, the granddaughter of the late Hattie Barnett, a pillar of Sierra Vista’s Black community who founded BWIP with 20 other Black women in 1970 at Fort Huachuca to educate the community about Black culture.
“I wanted to honor and remember their legacy by naming a girls camp after them,” said Barnett, director of Cochise College’s Small Business Development Center.
An Arizona State University graduate with an M.A. in architecture and another in construction management, Barnett has not only honored a legacy. She has paid it forward, empowering thousands of young girls’ by instilling confidence and teaching life skills they may never have experienced on their own.
“We’re the only program in the state like this, and because of how it’s grown, we absolutely have to get state and national funding because there’s nothing here locally to keep us going besides the Legacy Foundation which granted us $25,000,” she said. “We’re a nonprofit that’s 80% funded by grants and constantly scouring the country to find new sponsorships. That’s why the hotel concept is so important to us.”
BWIP Confidence Camps have not gone unnoticed.
Along with the NBA – which granted BWIP $50,000 – corporate foundations like Freeport-McMoran, Charter Oak, Aerie Real, Blackstone Investment Group, the African American Legacy Fund and Mary’s Pence have delivered crucial financial support.
In 2022, Barnett received the Phoenix Suns’ Golden Standard Award for her significant contributions to the Sierra Vista/Phoenix, recognizing her leadership in empowering young Black women through life skills and leadership training.
“These camps allow kids to excel at school, improve social skills, self-esteem and perform better in all aspects of life,” she said. “We think out of the box with how we develop camp programs, what kind of instructors to bring in and what skills we can teach. This summer we’re bringing flag football players and coaches to the camps. The sky’s the limit for what we can bring to the table for these girls.”
Barnett hasn’t stopped bringing it to the table since she started her first camp in 2016 that drew 44 girls, which doubled to 88 the next year, then soared to 200 right before Covid hit. After the pandemic, Barnett began overnight camps, taking girls to Mt. Lemon in Tucson and Mayer in Yavapai County. It was such a huge success that she saw the need to make overnight camps a solid piece of BWIP.
“I’m clearly a sucker when it comes to kids,” she said. “I love seeing them grow into confident young women from our program. An 8-year-old from foster care cried because she absolutely didn’t want to be here when she came. When camp was over, she cried even harder because she didn’t want to leave.”
But the cost of running year-round camps is enormous, and Barnett and BWIP’s board of directors realized they needed hefty grants to maintain what they were building. Girls were flying in from out of state to attend, and most were returning year after year.
“When it first started, it was $20 per girl, but when the overnight camps took off, it became $450,” said Barnett. “It costs more than $2,000 per kid, plus workman’s comp, liability insurance, paid interns, transportation, food and other expenses. That's why we need deep funding.”
Barnett has watched BWIP evolve into an expansive organization with day camps throughout the year offering core camp activities, culinary classes, lessons on changing a tire and oil, anti-bullying, gardening, while nurse practitioners teach hygiene and the female body.
“We’re doing really good work here for these girls,” said Barnett. “I’m grateful that our board of directors believe in me and my vision. As long as I can get us to the finish line – building the hotel as a revenue stream for the camps – then I’ve done the job I set out to do.”
SSVEC Currents
311 E Wilcox Dr, Sierra Vista, AZ 85635
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